Aim low for the sky

aim low with celestial nostalgia

steps that are lost and feet that drag

a line of string, so scared of the ring

 

Itinerary lost in the matter

a wave of bitterness

turning around, around, around

vapour and breath, oh come

out of my depth

 

MinotaurE

Qui a tort?

Je tourne, tourne, tourne et je me cogne

Pas de sens, sensations

Cesse cessons

Secessions!

 

(MinotaurE

Who is wrong?

I turn, turn, turn and smash (into walls)

No sense and no sensation

Stop, stop, stop, and we will prevail

Secession!)

 

Walls can crush but can they fall?

Tumbling down but what befalls?

A string that runs and runs and runs

an everlasting line,

can we circumnavigate?

 

MinotaurE

Qui a tort?

Je tourne et me cogne

Pas de sens, sensations

Cesse cessons

Secessions!

 

(MinotaurE

Who is wrong?

I turn, turn, turn and smash (into walls)

No sense and no sensation

Stop, stop, stop, we will prevail

Secession!)

NFU II
An infectious new-wave and power-pop composure emanates within “It’s not the first one that counts”, Mike Mineo, Obscure Sound.


'Despite it's serious message, It's Not The First One That Counts is bouncy, upbeat, primary coloured pop that'll brighten the darkest of winter days', The Devil Has The Best Tuna.

Algorithms at the heart of my dilemma

So why am I allergic to me?

 

Algorithms at the heart of that loud speaker

Why am I so allergic to me?

 

So don’t you look surprised

don’t you look surprised

When I don’t agree

 

Come and lift the trance & dance with me

 

The information that derails has never been better

Why am I so allergic to me?

 

The information that curtails reduced to several letters

Why am I so we allergic to me?

 

So don’t you look surprised

don’t you look surprised

When we don’t agree

 

It’s not the first one that counts

It’s not the first one that counts

It’s not the first one that counts

It’s not the second that counts

It is the, it is the, it is the

 

It’s the third that sets you reeling

It’s the third that carries the meaning

 

It’s the third that will have you off those knees, it's the third that will help you to see //

So despite the news I won’t accept the first one, nor will I accept the second one, but I will take the third one                                    

  

Neurons picked and pulled apart, maintaining pure blind vision

Why are we so allergic to us?

 

Repetition, feedback loops, and modern superstitions

Why are we so allergic to us?

 

So don’t you look surprised

don’t you look surprised

When I don’t agree

 

It’s not the first one that counts

It’s not the first one that counts…no, no, no

It’s not the first one that counts

It’s not the second that counts

It is the, it is the, it is the

 

It’s the third that carries the meaning

It’s the third that sets you reeling

 

It’s the third that will have you off those knees, it's the third that will help you to see //

So despite the news I won’t accept the first one, nor will I accept the second one, but I will take the third one   

         

Start the march, like Joan of Arc

Or was it Falconetti?

Or somebody else on the tele?

How can I ever know?

I feel like I should know

Oh, somebody show me the context

 

It’s not the first one that counts

It’s not the first one that counts…no, no, no

It’s not the first one that counts…no, no, no

It’s not the second that counts

It is the, it is the, it is the

 

It’s the third that sets you reeling

It’s the third that carries the meaning

 

It’s the third that will have you off those knees, it's the third that will help you to see //

So despite the news I won’t accept the first one, nor will I accept the second one, but I will take the third one   

NFU I

 “‘Southsea Common’ is filled with chaotic instrumentation including jagged guitars and bumble-y synths, with a rowdy chorus to finish things off.” MIX IT ALL UP